you can find more on the Evaluation overall in this hub post.
UK-EQUIVALENT STUDENT EXAMPLES
Tilly: blog post that needs more illustration but is fairly detailed.
Molly: blog post; good, detailed response.
Poppy: a Prezi that lacks detail, and doesn't use the tools available within Prezi (embedding, autoplaying etc) as well as she might, but gives a clear, succinct response:
Use exam notes and blog posts linked to exam work, but also BritCinema blog
- from March 2016 alone here are SOME of the distribution linked posts:
There is an especially useful links list just below the tag cloud:
You can quickly browse using http://mediabritishcinema.blogspot.lu/search/label/distribution
There are multiple other tags too: VoD, self-distribution, Tyrannosaur (individual film case studies are very useful), '71, release window, UKFC/Film Council [now BFI] US distribution, StudioCanal;
- WHAT IS DISTRIBUTION? HOW DOES IT FIT WITHIN THE FILM CYCLE (+ PRODUCTION +EXHIBITION)?
- WHAT MODES/TYPES OF DISTRIBUTION ARE AVAILABLE? (straight-to-DVD/TV, DVD/Blu-Ray and editionalising (vanilla DVD, SE, Collector's Edition, Unrated Cut, Director's Edition, Ultimate Edition, Boxsets...), VoD + streaming/rental [Amazon Prime, Netflix...], Prima, YouTube [ad-funded or with fee], theatrical: limited v wide release and arthouse v multiplex ... and Curzon as eg of member special events: Harry MacQueen Q+A (Four Lions...).
- IS THERE A LEVEL PLAYING FIELD FOR INDIES + STUDIOS/THEIR SUBSIDIARIES? IS INTERNATIONAL DISTRIBUTION ANY EASIER/MORE LEVEL? (here's where you bring in the big 6; tentpole movies; very specific examples of budgets, number of countries for theatrical, box office - flops + hits [useful to focus on exam egs]; Tyrannosaur a great Indie eg : look at the specific US Indie distributor it got - '71 too; franchising an issue you could leave to point 7)
- HAS DIGITISATION CHANGED DISTRIBUTION? IS DISTRIBUTION VIA PIRACY SIGNIFICANT? (VoD + self-distribution, reduced costs ... but marketing still key? What is disruption? BitTorrent and many other online filesharing or illegal streaming outlets; industry claims of lost revenue - falling DVD revenue? You can reflect on YOUR experience/habits)
- DOES THE RELEASE WINDOW STILL MATTER?
- ARE AGE RATINGS FAIR + EQUAL ON INDIES/STUDIOS? [you've likely covered this in Q1b/2a but worth repeating to be clear]
- WHAT INGREDIENTS DO YOU NEED FOR GOOD NATIONAL, AND/OR INTERNATIONAL, DISTRIBUTION PROSPECTS? [precisely the sort of question you might face in the exam, and should have blogged on: production practices]
- COULD YOUR FILM QUALIFY FOR ANY GOVERNMENT AGENCY FUNDING? (eg UKFC/Film Council [now BFI], Screen Yorkshire; see this post!)
- WHAT MODES OF DISTRIBUTION MIGHT YOUR PRODUCTION COMPANY MANAGE TO NEGOTIATE WITH DISTRIBUTORS? WHICH DISTRIBUTORS? JUSTIFY YOUR CLAIMS. ARE YOU LIKELY TO HAVE PRODUCED A HIT? ESTIMATE A BUDGET - DOES YOUR FILM NEED TO BE A BOX OFFICE SMASH (OR EVEN GET INTO CINEMA) TO BE PROFITABLE?